Home › Forums › Cosmetic & Aesthetic dentistry › Shade Selection and Management
Welcome Dear Guest
To create a new topic please register on the forums. For help contact : discussdentistry@hotmail.com
- This topic has 1 reply, 2 voices, and was last updated 01/02/2010 at 6:35 am by Anonymous.
-
AuthorPosts
-
01/02/2010 at 5:04 am #8795AnonymousOnlineTopics: 0Replies: 1149Has thanked: 0 timesBeen thanked: 1 time
CLARK SAID, “Color, like form, has three dimensions, but they are not in general use. Many of us have not been taught neither names, nor the scales of their measurement. In other words, we as dentists are not educationally equipped to approach a color problem.”
This statement is, unfortunately, still true. Dentists have had little or no training in vision physiology or color science. A 1967 survey revealed that 23 out of 112 dental schools had some sort of color education in their curriculum. A survey conducted the following year, reported that 3 of 115 dental schools taught a formal course in color. Thirty years later, comprehensive color training continues to be a missing part in the dental school curriculum. If any training at all is given in dental school, it is cursory or simplistic and usually consists of presenting an incomplete explanation of three abstract concepts of the Monsell Notation:4 hue, value and chroma.
Albert Einstein is reported to have said, “If you cannot explain it simply, then you do not understand it well enough.” This appears to be the problem in educating dental students regarding color matching. In a time of growing interest in cosmetic dentistry, there is a need for adequate training and communication for better and more lifelike results.
The increase in newer types of ceramic restorations and the improving quality of esthetics means the dentist of the 21st century must be trained to detect differences in color and shades in individual teeth, select a shade that reflects the color and exact shade, transmit this information to a dental technician, and then be able to make any necessary adjustments to the restoration. However, there are a number of factors that stand in the way of properly selecting a color match. Subjective faults range from differences in color perception to ocular fatigue and lack of education regarding the basic principles of color. Metamerism may occur if proper lighting is not used during shade selection in the dental office and laboratory Finally, existing shade guides are limited and require a more extensive range of shades.
Therefore, it is no surprise that color matching for crowns and dentures can be a frustrating and discouraging experience for the dentist, technician and patient. The breakdown in communication over matters ranging from shade guide to laboratory prescriptions must be addressed. This study will review the problems of color matching and will attempt to guide the reader toward enhancing his or her techniques regarding shade selection and communication with the ceramist.
Tooth vs. Porcelain
Prior to shade matching, the dentist must have an understanding that the human tooth and dental porcelain transmit light waves differently It is their physical composition that determines the differences in light-wave transmission, absorption, reflection, refraction, scattering and surface gloss. The manner in which light strikes an object determines the total appearance of the material. Transparent materials allow for the passage of light with little change. Translucent materials scatter, transmit and absorb light. Opaque materials reflect and absorb; however they do not transmit. Surface characteristics, such as gloss, curvature and texture, will affect the degree of light diffusion when striking the particular object.
A vital tooth is both naturally translucent and transparent. Enamel rods are transparent and therefore refract and reflect light. Light that strikes the incisal edges of an anterior tooth passes through with maximum transmission because of a high degree of translucency.7
Porcelain, however, is a heterogeneous material. It contains transparent properties and metallic oxides that act as opacifiers. These porcelains modify light by absorption, transmission and reflection. Absorption is largely responsible for color. It occurs when light passes through the layers of the porcelain. Scattering occurs when light encounters interfaces between the materials (i.e., pigments and glass). The smaller the pigment size, the less light that is absorbed, resulting in less detectable color. The larger the pigment size, the more reflection that occurs as light scatters at the particle surfaces. Scattering light is necessary in dental porcelains to simulate the prismatic effect of enamel. Yet, one must keep in mind that too much dispersed reflection through internal scattering will create an unnatural looking prosthesis.
Light Sources
One of the questions asked when selecting a shade is, what light source should be used? Shade determination should be performed under color corrected fluorescent lighting, which contains a balance of the entire visible spectrum. The operatory should be lit using a luminous ceiling with translucent diffusing panels that are simple to maintain. Clean watt saver lamps having a color temperature of 4200K or higher is advocated. An illumination level of 200 to 250 foot candles is highly recommended. Shade selection should not be made using daylight, because daylight is subject to constant changes.
One must also be concerned with the phenomenon of metamerism, which occurs when the color of two objects looks identical when observed under one light source but different under other light conditions.8 Metamerism occurs only when two objects have different wavelength distribution and therefore reflect different spectra.
The color of the operatory can also affect shade selection. Colors should be kept at a low saturation level. Walls and cabinets should be glossy enough to maintain brightness without causing a glare. It is recommended that the color of the walls and ceiling be white or off-white.
The dentist should be concerned with “blue fatigue:’ this occurs when the eye is unable to differentiate between the various shades of blue. However, blue fatigue increases sensitivity to yellow therefore, to improve shade selection in the yellow range, the operator should stare at a blue card or patient napkin between shade comparisons.
It has been suggested that dentists use natural north daylight for shade matching. Many dental offices have been designed to face the north to enhance the selection process. However, daylight is not at a constant throughout the day and therefore must not be used as the only light source for shade matching.
The Problem with Shade Guides
Shade guides have become the standard for selecting shade, yet there have been many errors associated with the use of commercial shade guides. Problems that may arise include the following:
1. Porcelains do not match the shade guides that they are being compared to.
2. Shade variations occur between different die lots of porcelain from the same manufacturer.
3. Shade guide tabs are 4-5 mm thick compared to the thin 1.5 mm piece of porcelain used for the restoration.
4. Shade guides are not always made with fluorescent porcelain, which causes inconsistencies in color matching.
5. It is difficult to predict the final shade after the layering of opaque, dentin and enamel.
6. Guide tabs lack a metal backing when using porcelain-fused to-metal restorations.
7. Shade tabs are condensed differently than porcelain used for final restorations.
Now that the reader understands the potential problems that arise when selecting shade, it is imperative that the dentist have a proper education in color. However, we must assume that not every dentist will seek out the proper courses. The latter portion of this article will be a review of numerous methods fox enhancing laboratory communication between the dentist and the dental technician, to assure the success of proper shade matching. The dentist must then decide for himself or herself how much information is enough to guarantee the replication of the restored teeth.
Shade Selection Guidelines
The dentist must have a working knowledge of the basic principles of color. This allows for accurate shade selection. Munsell described the three dimensions of color as hue, value and chroma.
Hue is the property of color that is determined by wavelength, which distinguishes one color from another. Value is a quantity of brightness. It is a qualitative term related to lightness or blackness of color and not the quantity of the color gray Chroma is the saturation of color.
Matching the proper shade is not carried out just by holding up a guide tab to the tooth in question. There are a number of methods that can be employed to intensify the shade selection. They are as follows:
1. If patient is wearing bright clothing, drape him or her with a neutral colored cover.
2. Have patient remove lipstick or other make-up.
3. Clean the teeth and remove all stains and debris.
4. Have patient’s mouth at dentist’s eye level.
5. Determine shade at the beginning of the appointment to avoid ocular fatigue.
6. Shade comparisons should be performed at five-second intervals so as not to fatigue the cone cells of the retina.
7. Obtain value levels by squinting.
8. Compare shade under varying conditions (i.e., wet vs. dry lips; retracted lip vs. pulled down lip).
9. Use the canine as a reference for shade because of the highest chroma of the dominant hue of the teeth.”
10. If unable to precisely match shade, select a shade of lower chroma and higher value.
11. Grind off the necks of the shade tabs because they tend to be darker than the rest of the shade tab.
Custom Shade Guides
To properly start the shade matching process the dentist should acquire a custom shade guide. This guide is the beginning of improving communication with the laboratory Each custom shade guide should include the ceramists metal, porcelain, staining kits, equipment and techniques. It should also contain pointers as to what to look for when selecting a shade. The technician needs to send a chart along with the guide for jotting down any additional information that will allow for a better understanding of the particular shade. The dentist may choose to create a luster tab and send it to the laboratory with the prescription. The technician will then have a visual aid for what he must fabricate. Numerous techniques regarding custom shade guides have been noted in the literature.
Laboratory Prescriptions
With few exceptions, laboratory work authorizations do not request enough information from the dentist. This could be because there is not enough space on the prescription to record it. It is, therefore, important to use a laboratory that fully understands the need for shade matching. Each laboratory prescription should contain enough space to record clinical information about each ceramic component of the restoration-for example, different shades of porcelain and opaque, and where to place them on the tooth. The authorization should include numerous diagrams of the tooth so that the dentist can draw helpful notes on them (i.e., shade, translucency, staining, glaze and surface texture). And the dentist should be in contact with the ceramist to ensure that the technician fully understands what the dentist is requesting. It is through these methods that the dentist builds a relationship with the technician. Ceramists will usually return the quality that the dentist sends to them.15
Models
Along with the laboratory prescription, the technician should have a set of study models to use as a guide. Preoperative models give the ceramist information about occlusion, tooth alignment, position of soft tissue, diastema, surface texture, wear facets, and more.16 A diagnostic wax-up will aid in the occlusion and form of the restoration. Matching shade is obviously only part of the task of replicating the natural tooth.
Photography
The macro lens has become an important tool in communicating with the laboratory. It has been said that, “The photograph is the cosmetic dentist’s radiograph.”17 A magnification of either 1: I or 2: I enables the technician to evaluate the color of a particular tooth, see craze lines, stains, surface texture and luster. Multiple pictures should be taken at different angles and under different light sources. The patient’s occlusion should also be photographed.
Along with photographs of the teeth being worked on, it is best to include pictures of the patient’s smile. These photographs can tell the technician about the patient, his or her age, personality and character.
It is a good idea to photograph the prosthesis at the try-in stage. If color adjustments are necessary, the technician will have a visual aid to help make the proper corrections. Written instructions alone are not enough information for the technician. They leave a tremendous amount of room for interpretation.18
Computers
Computers have become a valuable communications tool for the dentist and laboratory Cosmetic imaging can take the place of photographs. The dentist can take a picture with an intraoral camera and send it over the Internet to the laboratory. Film developing is eliminated, saving time and money. The ceramist can use these images to fabricate the proper prosthesis.
E-mail can be sent between dentist and laboratory to facilitate discussions of shade matching. The ceramist may decide to offer suggestions to the dentist based on the original images sent over the computer. E-mail can be used if the dentist is busy with a patient and cannot come to the telephone.
With the addition of modems and capture boards, the dentist and ceramist can engage in real-time (15-second delay) consultations.19 This has the potential to allow for making immediate decisions about the restoration and will decrease the number of office visits the patient has to make.
Colorimeter
Colorimetry is “the branch of color science concerned with numerically specifying the perceived color of an object as well as differences in perceived color between two objects judged to be different.”20 Photometric analysis techniques of porcelain surfaces may enhance our abilities to evaluate and design an esthetic restoration. Computer matching has been widely used in paint, plastics, ink and textiles. However, color matching and reproduction in dentistry appear to be more difficult than in the other industrial fields. There are many reasons for these difficulties, including the following:
1. Teeth are semitranslucent.
2. The size of teeth and the prosthesis are small.
3. Surrounding components of the tooth are complex.
4. Tooth surface is irregular.
5. A prosthesis may be composed of a number of materials.
6. There are many variables in fabricating a prosthesis.
Because of these errors, the accuracy of color measuring devices is subject to great variability Therefore, the practical and routine use of measuring shade with these types of instruments is of little value to the dentist.22 However, research is being conducted continuously to create a computerized shade matching program. This program may change the way color matching is performed and may allow for more accurate shade selection and communication.
01/02/2010 at 6:35 am #13627 -
AuthorPosts
- You must be logged in to reply to this topic.